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Price of Authenticity

Title: Price of Authenticity 


Author: Hui Tan 


(To Commemorate Hong Kong Pop Culture in the 90’s with this Film, August, 2020.)

______________________________________________________________________

Introduction: 


EXTERIOR (VISUAL) - DAY

Hui Tan (V.O.)


“Longing is the core of mystery. 


Longing itself brings the cure. 


The only rule is, suffer the pain. 


Your desire must be disciplined, 


and what you want to happen 


in time, sacrificed.” 


~Rumi 




EXTERIOR RURAL MISSISSIPPI - DAY 

Hui Tan (V.O.) 


In rural Mississippi, USA, in the early 20th century, pastors tried to influence women to reprimand their men for not attending Sunday church services, when the men were, instead, lingering in entertainment venues full of blues music. At this time a young black man was playing "crossroads" with his seven-string guitar. The music burst from the strings like magic through his slender fingertips, and the melody filled the listeners' heart with splendid inspiration. Even though he is the only performer, the listener has the wonderful auditory impressions and illusions of two or three players playing at the same time. This young black man is Robert Johnson, who is regarded as one of the greatest blues music creators in the Western music world. 


EXTERIOR CROSSROADS - DAY 

Hui Tan (V.O.) 


As fascinating as his music is, the story of his trading his soul with the devil at the crossroads in order to gain fame and fortune as a Blues musician is equally as fascinating. It is said that Robert Johnson’s guitar skills were mediocre before he left home, but his performance, when he returned a year later, was completely reborn and shocked listeners with its perfection. As a result, rumors spread that he sold his soul to the devil at the crossroads in exchange for musical virtuosity. Later, Robert Johnson's private life fell into chaos, with a severe drinking problem, in addition he became entangled with many women. In consequence of these affairs, the cause of his death is suspected to be poisoning at the hand of the husband of a married woman he was having an affair with, though this is not definitive, and the location of his tomb is unknown as well. He was only 27 years old when he died, seeming to further confirm the mysterious legend that Robert Johnson signed a contract with the devil. 


INTERIOR PHOTO ROBERT JOHNSON - DAY 

Hui Tan (V.O.) 


From the perspective of modern society, although the legend is magical and absurd, it is meaningful. On the surface, it speaks of the darkness of human desire; however, when we bring this legend back to the time when Robert Johnson lived, what struck me more deeply is the desperate effort of a music composer to realize himself. At that time, the church, which was one of the backbones of society, referred to blues music as the "devil's music", because people are immersed in blues entertainment and miss the Sunday service of the church, the pastor has reduced the income brought by the crowd. When the young Robert Johnson played a guitar for the people who worked in the fields out of his pure and sincere love for music, and when he aspired to grow up to become an outstanding blues music player, how much understanding and tolerance did society give this young man with innocent ambitions and gorgeous dreams about music? Even as an adult, he experienced rejection upon rejection from his family, and the two lovers who were pregnant with his children who left him. All this is just because the pursuit of blues music was considered a waste of time and not proper work for a young man at the time. In the minds of Robert Johnson's stepfather, his lover's family, and the values of the entire society at the time, a good and well-balanced young man should abide by a safe and practical job such as working on a farm and serving for manor.


EXTERIOR SPLIT SCREEN: CEMETERY / ROBERT JOHNSON 

Hui Tan (V.O.) 


Of course, this is ridiculous in the eyes of modern people; but unfortunately, the genius Robert Johnson lived in that oppressive age. Because he had his music he had pride, therefore, his response, to the ostracism and rejection from his family, wives and lovers, and the farming community he grew up in, was to drink and womanize. He did that too much which was harmful for him, though he didn't realize it -- when he immerses himself in music he feels good in his life, but when he stops the music he uses alcohol and women to numb the hurt and pain and fill the emptiness left when his lover and family rejected him. This is harmful and it made him destroy himself. The question is who is responsible for his death? Himself or Whole Society? Robert Johnson's extraordinary musical talent, and his exquisite performance skills earned by his perseverance, was incompatible with his status as a poor and humble black young man from the perspective of American rural society in the early 20th century. His dazzling aura in music burned the fragile and sensitive self-esteem of the authority at the time; and, when most of his fellow black people also agreed that they should silently pick cotton, Robert Johnson was too joyfully obsessed with blues music, therefore, also caused people of the same ethnic group to "draw a clear line" with themselves, that is, to ostracize him. As a result, Robert Johnson's musical talent and achievements were logically imposing the crown of "devil contract" by the world. Is this the motivation of the public to adjust their personal jealousy and rejection in order to achieve a rebalance and assuage envy? Or did society urgently need to take measures to maintain order, trying to keep him out of music and in the farm laborer profession? 


EXTERIOR PHOTO DEVIL BARTERING WITH MAN (historical wood print) - DAY 

Hui Tan (V.O.) 


Just like the ancient Greek philosopher Socrates was convicted and killed by the court of Athens after a round of discussions about ethical philosophy and truth in public with the possibility of disturbing social order and values, the existence of a young black man from a humble background, Robert Johnson’s amazing and uncommon musical talent shook the American rural society of Mississippi in the early 20th century. It is not difficult to imagine that Robert Johnson would have to pay for this. However, this price is not “he traded his soul to the devil” as the dark rumors say; it was caused by Robert Johnson’s behavior of self-exile after he was successfully alienated and rejected by society. Therefore, it is not the devil in the literal sense that harvests the soul of Robert Johnson, but the dark demon in the values of human society at that time. 


EXTERIOR SPLIT SCREEN: CROWDED MISSISSIPPI STREET / CARL JUNG 

Hui Tan (V.O.) 


Based on Swiss psychologist Jung's theory of the collective unconscious, in the fields of religion and culture, Westerners and Easterners have many common archetypes. Carl Jung teaches us that "The collective unconscious consists of the sum of the instincts and their correlates, the archetypes. Just as everybody possesses instincts, so he also possesses a stock of archetypal images." The image of the artist who sacrifices everything in order to speak his truth, resides in that collective unconscious. The archetype of the story that happened to Robert Johnson in the Mississippi countryside in the United States at the beginning of the 20th century is also shown in 21st century Hong Kong where famous music lyricist, Lin Xi accepts that in order to create authentic sincere music from his heart he needs to pay a price. For Lin Xi, this price was the deep pain of being trapped in the spirit. 


INTERIOR PHOTO ALBERT LEUNG - DAY 

Hui Tan (V.O.) 


Albert Leung (Lin Xi) is a famous lyricist in Hong Kong. According to the Radio Television Hong Kong, Lin Xi has written songs which have found an outlet for the emotions of modern Hong Kong residents expressing their sentiments. Lin Xi's lyrics not only speak for the emotional life of the people of modern Hong Kong, but also records Hong Kong's social changes in the past 30 years, interpreting the lyricist's own thoughts about the era and city in which he lived and grew up. 


EXTERIOR HONG KONG & GLOBAL IMAGES - DAY 

Hui Tan (V.O.) 


Under the influence of the global environment and trends, Hong Kong in the 1980s witnessed a booming economy. As a group of people living in a cosmopolitan city, Hong Kong residents live an intense, stress-filled life in their daily work. As a result, their demand for entertainment is increasing day by day. They need entertainment to soothe their nerves, sustain them and preserve their precious romantic feelings under the impact of business. The popular music of Hong Kong and Taiwan came into being at that time and became successful. People want to consume the perceptual beauty briefly summarized by popular music and capture the most effective way of expressing emotions in the quickest time. Lin Xi revealed his brilliant talent in writing lyrics under the opportunity created by such a great era. Lin Xi’s lyrics not only have the artistic value of high level literary construction; they also have commercial value because they are adapted to the times and adapt to the market; Lin Xi’s lyrics make use of psychological analysis to highly condense the entanglement of sensibility and rationality in the spiritual world of the people of modern Hong Kong. From the perspective of philosophy and sociology, his works summarize the thinking of small individuals on the meaning of their lives in the big era. According to the cultural commentary of the Hong Kong media, Lin Xi’s words can always reach the depths of the listener’s soul in the shortest time and most accurately, capturing the listener’s heart. Listeners feel that the words in the song are being sung directly to themselves, telling their story. 


INTERIOR PHOTO ALBERT LEUNG PERFORMING & INTERVIEW - DAY 

Hui Tan (V.O.) 


Either high-pitched or sad, sonorous or euphemistic, poetic or secular, it can simultaneously affect the hearts and minds of thousands of listeners with different personalities and backgrounds. This skill of Lin Xi, in addition to maintaining the reading habit of reading a variety of books, and keeping curious and open to the world, he also preserved a pain that is difficult to dissolve as his internal driving force and perception of this world. According to Lin Xi himself, his childhood was unhappy: his father had three "wives" at the same time and in that "big family", his father was the image of an eternal emperor. For young Lin Xi, the word father was just a cold term; there is an eternal gap between him and his father. In his works he repeatedly, both directly and indirectly, expresses his helplessness, bitterness, regrets and grief over the elusive and unattainable love of his father. As his body matured and strengthened, the teenage Lin Xi began to rebel against his father, even expressing himself with violence. Later, after entering university and moving away from his family, Lin Xi was free of his father’s physical control over him. However, with his father’s subsequent death, the vacancy in Lin Xi’s mind that was never nourished by his father’s love seems to be forever frozen. No matter how hard Lin Xi tried to move forward towards the future, the vacancy remained in place and lingered. For example, Lin Xi's habit of always closing the door carefully for fear of making a little noise was developed from childhood, because Xiao Lin Xi was afraid of making noises and causing his father to beat him badly. Lin Xi brought this habit to adulthood. Now, nearly half a century old, he closes the door gently even if he is the only one at home, as if for fear of disturbing the neighbors. Lin Xi's cautious restraint reveals a kind of sincere fear that has penetrated deeply into his heart, and this anxiety is precisely because of fear of patriarchal authoritarianism. Lin Xi himself said that he was always sensitive to other people's emotional changes and needs for him, and then reacted accordingly. This is why he can write "tailor-made" lyrics for multiple singers with different styles at the same time: subconsciously, he is always looking for ways to adapt and satisfy others in order to prove himself and gain the acceptance and appreciation of others. In addition to being easy to feel guilty, he is often too self-examined and self- critical, always deeply involved in learning, work and emotions, tireless and strict with himself. And this self conflicted with Lin Xi's true self, which caused Lin Xi to suffer from emotional illness a few years ago, until he found part of the answer and comfort from Buddhist beliefs.


EXTERIOR SILHOUETTE OF A MAN WALKING ALONE - DAY 

Hui Tan (V.O.) 


The pain and fear in his heart did not shape Lin Xi into a retreat in the end.
Instead, Lin Xi chose the method of "retaining and bearing the pain" to continue to face life and creation. In Lin Xi's work, the listener can feel a kind of tension of struggle—the courageous pursuit is at the same time helpless sadness, good times never last, love is beautiful but fleeting. All the listeners can feel the precise world written by the author with the truth of his soul—Lin Xi must deliberately remember the pain in life, so as to always remember who he is and what he has experienced. Just like the the golden head band on the Monkey King described in "Golden Head Band" The circle tightens Wukong, (this kind of pain) makes him remember who he is in this life in the next life; as in "In a Funk", it is said that "I would rather [experience in love] pain to prove that I have fallen in love". Lin Xi is not willing Let go of the pain, he will wake himself up with the pain and remember the people he loves with the suffering. If the relationship with his father is the most primitive source of Lin Xi's pain, he wants to retain this childhood pain which reminds him of the warmth and love his mother, who was also hurt, gave him in those dark years. 


EXTERIOR HONG KONG SKYLINE - NIGHT 

Hui Tan (V.O.) 


Hong Kong society has changed in recent years. Nowadays, Lin Xi lives in Taiwan mostly. But he says that his heart and eyes are always paying attention to Hong Kong. The pain that Lin Xi felt in the relationship with his father included not only the unrequited love, but also the fear of patriarchy. In an interview with " Radio Television Hong Kong ", Lin Xi mentioned his own complex contradictions to patriarchy. He also projects feelings of his understanding of authoritarian rule and family and patriotism. Like the feelings and memory of his mother, he is willing to keep the pain of the era to commemorate the Hong Kong that gave birth to him like a mother. Going against the current trend of the times, Lin Xi also knows that he has to pay a price: he is willing to exchange his inner happiness and life ease for the eternal pain, and this pain portrays and represents the most fundamental of his creation, his authenticity, and his soul. 


EXTERIOR HOMER / THE ODYSSEY - NIGHT 

Hui Tan (V.O.) 


If we narrow down the concept of historical time and space, the popular trends of each era will become the history of the next era. And these popular trends, records of contemporary human thought, will eventually become historical witnesses. For this reason, the current popular culture has its historical responsibility and meaning. Just as "Homer's Epic" sings the humanistic spirit of ancient Greece and has a profound impact on the entire European culture, contemporary and modern popular songs, with the lyrics and stories behind them, will also become important materials for historical and cultural references in the future. Therefore, the lyrics, that is, the stories in the song, are now elevated to the level of literary works to discuss for their value. For example, in 2016, the Nobel Prize in Literature was awarded to a lyricist, Bob Dylan, in the United States. 


INTERIOR BOB DYLAN IN CONCERT - NIGHT 

Hui Tan (V.O.) 


US singer Bob Dylan was awarded the 2016 Nobel Prize for Literature, becoming the first songwriter to win the prestigious award "for having created new poetic expressions within the great American song tradition". (BBC) He fits the archetypical paradigm of the artist who will not yield his values and vision at any price. Poet and novelist Robert Hoffman says of the artist that, "Dylan flew in the face of society by voicing unpopular political opinions regarding the Vietnam War; He also challenged the musical mainstream by embracing folk styling with a rock sound, influencing the poetic quality of music by being honest and forthright rather than kowtowing to the popular norms. Arguably affecting music forever through Hendrix, the Beatles, and especially Lennon.” Tenaciously holding to his social justice viewpoints and his vision of rock/folk fusion's ability to convey the meaning of his poetry, Dylan was willing to exchange financial and popular success for the opportunity to speak his truth to a world ripe for his message. 


EXTERIOR TRYPTIC BOB DYLAN / ROBERT JOHNSON / LIN XIN 

Hui Tan (V.O.) 


From Johnson to Lin Xin to Bob Dylan, from the Eastern to Western musical stage, when we enjoy what brilliant musical culture has given us, we also need to appreciate the creators behind the songs. In their songs, they represent their authenticity, no matter the time and place, the shining personal story in the songs cannot be changed, because that comes from the truth and sincerity of the creators' soul. 


EXTERIOR (HUI TAN) - DAY 

Hui Tan (V.O.) 


The desire and purpose of human existence is to become oneself. 


In order to achieve this goal, 


human beings will pay any cost. 



The End

Tan Hui's Vision

filmofhuitan@gmail.com

Copyright © 2022 Tan Hui's Vision - All Rights Reserved.

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