Red carpet with Prof. Santucci & my fmaily-laaf ceremony
I deeply appreciate Prof. Santucci's dedication and knowledge sharing!
I am grateful for my children's inspiration for this story; and thankful for my husband's support!
I am grateful for my children's inspiration for this story; and thankful for my husband's support!
I am grateful for my children's inspiration for this story; and thankful for my husband's support!
I am grateful for my children's inspiration for this story; and thankful for my husband's support!
I am grateful for my children's inspiration for this story; and thankful for my husband's support!
Animation SHORT Film," RAINBOW"
1. Synopsis
The animated story "Rainbow", inspired by my personal experience as a mom with two children, was my MFA thesis at Cal-State University, Long Beach.
The film opens with a scene in the lush yard of a home. The audience sees children on the grassy lawn coloring a lovely image of a rainbow. The rainbow blends and morphs into the dangling rainbow earrings their mother as she tries to repair a sprinkler in the yard. She is visibly discouraged as she fails to make it work. She cheers up when her children bring her the picture they have colored of the rainbow. Their mother loves rainbows. She brings the children in for a snack and the audience sees that the cake she serves is rainbow cake. As Mother’s Day approaches, the children want to buy something with a rainbow on it as a gift. They go to a garden supply store to shop for their mom but they only have $3. It begins to rain as they try to find something at the store they can afford and in their imagination the items they want to buy look like monsters hungry for their money. They return home and cry in their mother’s arms, but suddenly the sun comes from behind the cloud and reflects on their mother’s rainbow earring. That gives the children an idea for a Mother’s Day gift. They use their $3 to buy a used how-to book on sprinkler repair, along with damaged CD's being sold in the garden store to scare birds away. They fix the sprinkler and hang the CD's in the trees. On Mother's Day they take their mother out to the yard and turn on the sprinkler, and, as it sprays, the sunlight is reflected by the shiny CD's, surrounding their mother with rainbows. The children are able to give their mother the best gift of all, a million rainbows!
In this animated film, I want to emphasize that gifts made with love and creativity are more valuable than anything money can buy.
2. Questions I am exploring in this film
"Rainbow" explores the relationship between money, creativity, and love, within the confines of the Chinese taboo that connects lack of money with shame and fear.
I grew up in China in the 80s. In my childhood, talking about "poverty" was on the same level as talking about "death" and was a cultural taboo. Parents prohibited their young children from talking about these topics. It was considered “unlucky". Chinese parents fear that if the children in the family mention the words, the unfortunate things the terms refer to will befall the family. In my case, my mother always took away the "red envelopes" I received during Chinese New Years holidays which contained money. She said she didn't want me to have too many ideas and concepts about money when I was young.
As an adult I have reflected on these Chinese cultural taboos, especially in the education of my own children. I realize that not thinking about issues in life do not make the problems disappear. On the contrary, only by letting children understand the truth in “taboos”, can they exercise their ability to analyze questions and find answers, and thus help them to grow into competent adults.
In the short film "Rainbow", I question and challenge the cultural taboo that prohibits the discussion of money with young children. In the film I break this taboo by allowing the children in the film to think and understand the concept of money, to adjust their incorrect perception of money due to their young age and build up a right one. When their frustration at not having enough money turns to fear (high prices changing their gift choices into monsters) they find motivation to use their abilities to create new things beyond money. Therefore, in "Rainbow", I not only break a Chinese traditional taboo, but also explore a positive resolution.
3. Light
Because one of the climate characteristics of Los Angeles, where I reside, is the abundant sunshine, I have chosen to light my film in a way that demonstrates the local lighting. In Southern California, when the outdoor sunlight shines through the windows into a room, the sunlight will hit the floor and be rebounded or reflected on the people or objects in the room. Since this is a kind of light refracted from the floor, it is very soft, giving people a warm and comfortable home feeling. I think this "soft bottom light" is unique to Southern California. I have lived in China and traveled to other countries in the past. Due to the different influences of different climate zones and atmospheres on light, the lighting in different places has a different quality.
To capture the warm joyful family atmosphere I wanted for my film, I focused on bouncing the light onto the characters from below. It is an element that I paid great attention to throughout the film creation and production process. This form of lighting runs through the entire film of "Rainbow", in order to truly reflect the warm and joyful family atmosphere. This type of "bottom light" is a technique used in horror films but I was able to move through the lighting in a way to portray a warm loving feeling rather than a feeling of dread.
4. Inspiration
"Rainbow" is an adaptation of the true story of myself and my two children.
A picture my daughter drew when she was 4 years old recorded the story of her making a rainbow for me in our garden with a sparkling faucet.
My daughter's drawing was my jumping off point for the animation in this film.
In the trailer of Rainbow, I wrote:
"In a tale of love,
Learn,
enlightenment,
creativity,
and growth,
two children discover
the best gifts
come from the heart."
I deeply appreciate that I have an opportunity to learn and grow with my children 😊❤️
5. Leadership
As director of the film "Rainbow", I have an opportunity to get familiar with the entire process of animation film production. How to clearly communicate the questions and requirements for a film is valuable knowledge and experience which I have learned from creating and directing "Rainbow". For example, because a particular scene in "Rainbow" contained very complicated layers, my final editor made an error in the order of the layers during her final editing work, which resulted in a logistical visual error. As a director, I tell the final editor clearly that the cause of the error was based on the order of layers, and how that error could be fixed easily, just by adjusting the order of layers. Instead of abstractly saying that this is a logical error or that it seems wrong I needed to be really familiar with the production and then direct my team on the exact way to fix the problem.
6. Environmental Design & Characters Design
I believe that a well-told story should be derived from the truth of life, but also go beyond life. In this film, I composed the story based on my real life. I observed the characters and landscapes from my daily life in order to present a believable and touchable story. In my process, I took photos of the greenhouse area attached to Wal-Mart and some photos of gardens in my neighborhood as references. Based on those references I had a basic vision in my mind of the gardens for my animation. I used them as sources for color tone and lighting, though the gardens in my animation were from my mind.
Regarding my technique, in my backgrounds I combine realistic lighting and shade with abstract form for some of the subjects. I used Photoshop to create the background and the characters, also After Effect and Adobe Premiere Pro to do the editing. This is a story about love and warmth so I chose to make a colorful background that reflected this atmosphere.
The characters are based on studies of my children. My daughter has a rounder face and my son's face is longer so I used them as inspiration for the characters. It is a cute comparison of shape in the film, which matches the philosophy in animation character design: that cute characters match a light and happy storyline.
Please Check out my still pictures of "Environmental Design & Characters Design" of this film in another page of this website.
Rainbow Contributed Urgent Event 2022
Urgent Need of Help from Filmmakers
I was contacted by PsaroLoco regarding their BORDER CROSSING CHILDREN’S FILM FESTIVAL in POLAND. Films will be shown to refugee children detained at the border. I am eager to offer my film RAINBOW to this festival. I was touched as a young child in a hard and difficult environment by Disney films, therefore I understand the power of animation and stories to uplift and give hope. For my film to reach children and ease the hardship of their situation is a great accomplishment for me. I feel that artwork that comes from the heart can give comfort and strength, at a deeper level than physical assistance can. This is one of the great things an artist can do for humanity and I am honored to have the opportunity to be part of this compassionate project.
The e-mail from PsaroLoco is attached for your consideration. I encourage my fellow artists from every walk of life to consider contributing to this purely noble project where our work can truly make a lasting difference in the lives of desperate children and their families.
The e-mail from PsaroLoco :
"Psaroloco Media Literacy Project Sun, Feb 27, 3:30 AM (1 day ago) to Psaroloco, bcc: me
Dears ATTENTION all friends, filmmaking and festival community!!! WE NEED FILMS FOR CHILDREN & FAMILIES ASAP. Weronika Jurkiewicz and Bianca Lucas are starting the BORDER CROSSING CHILDREN’S FILM FESTIVAL in POLAND. Many mothers/ families are currently waiting in line at the border with their children for 12 hrs at a time in the cold. Once they cross, they have to wait further for transport. Exhausted, having to keep it together for their kids. Everything is progressing dramatically and we are trying to move fast. We are scrambling to set up a points in Przemyśl, Medyka, and literally along the crossing where mothers wait either to cross or for transport with their children. Holding screenings and distractions for children is crucial in giving the little ones a moment of light through the trauma, and the mothers a moment to breathe. And hopefully see a smile on some of the children’s faces. We are currently trying to organize venues, projectors, screens and seats. Anyone who can help us with that and logistics in Poland, please let us know. But in the meantime WE NEED FILMS FOR CHILDREN ASAP. The wifi is cutting out at the border, we need files and downloadable links. NO DIALOGUE, SHORT OR LONG, RIGHTS AND FEES WAIVED for the purpose of this event. I’m calling on all fellow FESTIVALS, PROGRAMMERS, FILMMAKERS AND DISTRIBUTORS. Weronika is already there.
Please think of the most suitable films for the families in need right now. UPDATE: you can now send downloadable films to:
bccffpoland@gmail.com
Soultana Tatiana Koumoutsi
CEO & Fοunder
PSAROLOCO MEDIA LITERACY
This e-mail message may contain confidential or legally privileged information. If you are not the intended recipient, or the employee or agent responsible for delivery of this message to the intended recipient, please take note that any dissemination, distribution or copying of this e-mail message is prohibited. If you have received this message in error, please immediately notify the sender and delete this e-mail message from your computer. ♻︎ Please consider the environment before printing this e-mail, thanks!"
